Untitled

Untitled (2026) is a dual-site installation by Ahmad Angawi composed of sculptural and infrastructural interventions. The first component consists of vertically oriented steel structures inspired by palm forms. Their surfaces integrate two geometric systems: the four-fold geometry associated with Makkah and the six-fold geometry associated with Riyadh. Through proportion, repetition, and structural layering, the work establishes a formal dialogue between distinct regional identities within the Kingdom. The second intervention is embedded within the roadway, where calibrated indentations generate musical vibrations as vehicles pass, producing a rendition of the Saudi National Anthem. A Flower of Life pattern informed by geometric principles is incorporated into the surrounding landscape, aligning visual orientation and spatial movement. Installed at Sana’a Square, the artwork engages a major point of urban circulation. By combining vertical landmark elements with a sound-based road intervention, Untitled integrates geometry, infrastructure, and movement, contributing to placemaking within a high-traffic civic environment.