تعد تماثيل فيكتور كوباتش توليفة من التدريب الكلاسيكي الصارم والبحث الحداثي عن الشكل الأساسي. بعد تعلمه في مينسك، ابتعد عن الواقعية الشكلية الصارمة لاستكشاف الإمكانيات التعبيرية للمادة نفسها. يقوم عمله بتفكيك الأحجام الصلبة إلى علامات متكررة أو “جزيئات”، مما يخلق مفردات بصرية شخصية تتعامل مع الزمن والذاكرة والتجربة المكانية. بينما تحتفظ أعماله البرونزية بارتباطها بالشكل، فإن تماثيله الحجرية الضخمة تُعتبر غالبيتها تجريدية، متأثرة بفلسفات قسطنطين برانكوشي وإيسامو نوجوتشي، وفن الأرض. يرى كوباتش أن النحت هو عملية كشف “العمارة الداخلية الصامتة” للحجر. لديه مسيرة دولية واسعة، مع أعمال عامة في دول مثل السعودية والصين وكندا، غالبًا ما تتناول تقاطع وجود الإنسان ودورات الطبيعة.

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					 ORDER BY wp_posts.post_date DESC
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---

ذا صلة

الأعمال الفنية

ملامح المستقبل

بواسطة فیكتور كوباتش

طويق للنحت